From now on I hope always to stay alert, to educate myself as best I can. But lacking this, in Future I will relaxedly turn back to my secret mind to see what it has observed when I thought I was sitting this one out. We never sit anything out. We are cups, constantly and quietly being filled. The trick is, knowing how to tip ourselves over and let the beautiful stuff out. – Ray Bradbury

From now on I hope always to stay alert, to educate myself as best I can. But lacking this, in Future I will relaxedly turn back to my secret mind to see what it has observed when I thought I was sitting this one out. We never sit anything out.

We are cups, constantly and quietly being filled. The trick is, knowing how to tip ourselves over and let the beautiful stuff out. – Ray Bradbury

Language has time as its element; all other media have space as their element. – Søren Kierkegaard

Language has time as its element; all other media have space as their element. – Søren Kierkegaard

Curiosity is the most powerful thing you own. Imagination is a force that can actually manifest a reality. – James Cameron

Curiosity is the most powerful thing you own. Imagination is a force that can actually manifest a reality. – James Cameron

Every artist dips his brush in his own soul, and paints his own nature into his pictures. – Henry Ward Beecher

Every artist dips his brush in his own soul, and paints his own nature into his pictures. – Henry Ward Beecher

How to Draw a Picture (XII) Know when you’re finished, and when you are, put your pencil or your paintbrush down. All the rest is only life. – Stephen King

How to Draw a Picture (XII)

Know when you’re finished, and when you are, put your pencil or your paintbrush down. All the rest is only life. – Stephen King

Art is always criticized and always an outsider takes the blame – Ville Hermanni Valo

Art is always criticized and always an outsider takes the blame – Ville Hermanni Valo

It took me years to learn to sit at my desk for more than two minutes at a time, to put up with the solitude and the terror of failure, and the godawful silence and the white paper. And now that I can take it . . . now that I can finally do it . . . I’m really raring to go. I was in my study writing. I was learning how to go down into myself and salvage bits and pieces of the past. I was learning how to sneak up on the unconscious and how to catch my seemingly random thoughts and fantasies. By closing me out of his world, Bennett had opened all sorts of worlds inside my own head. Gradually I began to realize that none of the subjects I wrote poems about engaged my deepest feelings, that there was a great chasm between what I cared about and what I wrote about. Why? What was I afraid of? Myself, most of all, it seemed. “Freedom is an illusion,” Bennett would have said and, in a way, I too would have agreed. Sanity, moderation, hard work, stability . . . I believed in them too. But what was that other voice inside of me which kept urging me on toward zipless fucks, and speeding cars and endless wet kisses and guts full of danger? What was that other voice which kept calling me coward! and egging me on to burn my bridges, to swallow the poison in one gulp instead of drop by drop, to go down into the bottom of my fear and see if I could pull myself up? Was it a voice? Or was it a thump? Something even more primitive than speech. A kind of pounding in my gut which I had nicknamed my “hunger-thump.” It was as if my stomach thought of itself as a heart. And no matter how I filled it—with men, with books, with food—it refused to be still. Unfillable—that’s what I was. Nymphomania of the brain. Starvation of the heart. – Erica Jong

It took me years to learn to sit at my desk for more than two minutes at a time, to put up with the solitude and the terror of failure, and the godawful silence and the white paper. And now that I can take it . . . now that I can finally do it . . . I’m really raring to go.

I was in my study writing. I was learning how to go down into myself and salvage bits and pieces of the past. I was learning how to sneak up on the unconscious and how to catch my seemingly random thoughts and fantasies. By closing me out of his world, Bennett had opened all sorts of worlds inside my own head. Gradually I began to realize that none of the subjects I wrote poems about engaged my deepest feelings, that there was a great chasm between what I cared about and what I wrote about. Why? What was I afraid of? Myself, most of all, it seemed.

“Freedom is an illusion,” Bennett would have said and, in a way, I too would have agreed. Sanity, moderation, hard work, stability . . . I believed in them too. But what was that other voice inside of me which kept urging me on toward zipless fucks, and speeding cars and endless wet kisses and guts full of danger? What was that other voice which kept calling me coward! and egging me on to burn my bridges, to swallow the poison in one gulp instead of drop by drop, to go down into the bottom of my fear and see if I could pull myself up? Was it a voice? Or was it a thump? Something even more primitive than speech. A kind of pounding in my gut which I had nicknamed my “hunger-thump.” It was as if my stomach thought of itself as a heart. And no matter how I filled it—with men, with books, with food—it refused to be still. Unfillable—that’s what I was. Nymphomania of the brain. Starvation of the heart. – Erica Jong

Absurdity and anti—absurdity are the two poles of creative energy. – Karl Lagerfeld

Absurdity and anti—absurdity are the two poles of creative energy. – Karl Lagerfeld

Friendship is an obstetric art; it draws out our richest and deepest resources; it unfolds the wings of our dreams and hidden indeterminate thoughts; it serves as a check on our judgements, tries out our new ideas, keeps up our ardor, and inflames our enthusiasm. – Antonin Sertillanges

Friendship is an obstetric art; it draws out our richest and deepest resources; it unfolds the wings of our dreams and hidden indeterminate thoughts; it serves as a check on our judgements, tries out our new ideas, keeps up our ardor, and inflames our enthusiasm. – Antonin Sertillanges

When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens. – Madeleine L’Engle

When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens. – Madeleine L’Engle

Modern art is what happens when painters stop looking at girls and persuade themselves that they have a better idea. – John Ciardi

Modern art is what happens when painters stop looking at girls and persuade themselves that they have a better idea. – John Ciardi

Dive again and again into the river of uncertainty. Create in the dark, only then can you recognize the light. – Jyrki Vainonen

Dive again and again into the river of uncertainty. Create in the dark, only then can you recognize the light. – Jyrki Vainonen